Vessna Perunovich | Raven Davis

January 28-March 4, 2022
University of Waterloo Art Gallery

Please click HERE to book an appointment to visit

UWAG will be open by appointment Wednesday to Friday from 12-5 PM and limited to 5 visitors at a time

Exhibition documentation and updates will be posted on the gallery website

image

VESSNA PERUNOVICH
Here. In Absence

Here. In Absence is informed by the unsettling disposition of the world we live in and our collective experience over the last two years of pandemic. Echoing various crises in society today, the works in the exhibition evoke a reflective space for contemplation and connection around themes of isolation, division and belonging, expanding on concerns at the heart of Perunovich’s practice: boundaries, displacement and migration.

I am Still. Traveling anchors the viewer to a place that is neither foreign nor familiar. Filmed in 2020 at the R.C. Harris Water Treatment Plant beside Lake Ontario, the video depicts the artist walking around this seemingly abandoned environment dragging the burden of a nautical Jacob’s ladder. An ethereal soundscape composed around the industrial sound of a locomotive underlines the Sisyphean task the artist is engaged in, and suggests places elsewhere.

Reversed Code is informed by messaging codes such as Braille, an alphabet for the visually impaired; binary code used for computing and patterns in weaving; and ethical codes of conduct such as the United Nation’s Universal Declaration of Rights and Freedoms. The ten screens that make up the installation strike a poetic balance between darkness and light, beauty and violation. The work invites us to contemplate the precarious role of language and communication in a world that feels increasingly confusing and isolating.

Both works are being exhibited in North America for the first time. The exhibition is generously supported by production grants from The Canada Council for the Arts, Ontario Arts Council and Toronto Arts Council.

Vessna Perunovich is a Toronto-based interdisciplinary artist whose work embraces performance, video, sculpture, painting and drawing, to address issues around home, displacement and boundaries. Her work was included as part of So-Called Reality, Risk Change Project, National Gallery of Montenegro (2020); and Ad Infinitum, part of the 13th Havana Biennial, Cuba (2019). Recent solo exhibitions include “Fragments of a Whole” at the Contemporary Art Gallery Pančevo, Serbia (2021) and “Shifting Shelter” at Illingworth Kerr Gallery, Alberta University of the Arts, Calgary (2019). She has exhibited as part of international biennials in Cuba, Albania, England, Venice, Portugal, Yugoslavia and Greece, and attended residencies in Banff, Berlin, Bursa and Istanbul, New York, Beijing and Malta. Her survey exhibitions Borderless and Emblems of Enigma toured to galleries and museums across Canada and Europe. She is the recipient of a Chalmers Fellowship Grant (2019) and has been awarded grants by The Canada Council for the Arts, Ontario Arts Council and Toronto Arts Council.


image

Raven Davis
Mmenwenmad | To Save for Later

Mmenwenmad | To Save for Later is a new body of work by Raven Davis rooted in acknowledging the physical body, and lived experience as an incalculable, unwritten document. Davis’ monochromatic images capture the artist on the coastline of Mi’kma’ki, also known as the Atlantic coast. Through movement, sound, and the juxtaposition to land, body, Davis engages with a common archiving two-drawer filing cabinet that is incapable of archiving the continuum of one’s lived experience or intimate relationships with the land. Exploring transgenerational epigenetic matrilineal inheritance, Davis embodies a personal choreography that expresses the impacts of colonialism, trauma, disability, transness, diaspora, and relationship to the land. In doing so, Davis draws on their previous body of works with monuments, creating temporary tributes honouring the water, land, sky world. Questioning, what has been deemed “worthy” of saving, what has been lost, and what has been intentionally left out.

Raven Davis is an Anishinaabe, 2-Spirit, transgender, disabled multidisciplinary artist, activist, and educator whose mother is from Treaty Four in Manitoba. Davis was born and raised in Michi Saagig Territory/Toronto, Ontario, and resides and works fluidly between Toronto and Kjipuktuk/Halifax. A parent of three sons, Davis works within the mediums of painting, performance, and media. Challenging systemic oppression, Davis fuses narratives of colonization, race, gender, disability, transformative justice, and 2-Spirit/Indigiqueer identity in their work. Davis’ performance and art practice bravely embodies their lived experience, reclaiming histories of Indigenous peoples’ restoring cultural knowledge, and honouring land, water and collective kinship futures.

This exhibition is an extension of the CAFKA.21 biennial, Everything Not Saved Will Be Lost. CAFKA would like to acknowledge the generous support of the Canada Council for the Arts.


ADMIT EVERYONE
University of Waterloo Art Gallery
East Campus Hall, Room 1239
519.888.4567 ext. 33575
Website
Facebook
Instagram

CONTACT
Ivan Jurakic, Director/Curator
519.888.4567 ext. 46741
ijurakic@uwaterloo.ca

HOURS
Wednesday to Friday 12-5 pm
Click here to book an appointment

MOBILITY
Ground floor entry
Automated doors available at Fine Arts entrance
Wide pathways
Accessible washrooms on ground level

DRIVING
263 Phillip Street, Waterloo
East Campus Hall (ECH) is located adjacent to Engineering 6 (E6)
Campus map

PARKING
Visitor Parking is available in Lot B beside Engineering 6 (E6) for a flat rate of $5
Campus map

MAILING
University of Waterloo Art Gallery
200 University Avenue West
Waterloo, ON, Canada N2L 3G1

logos

Image credits: Vessna Perunovich, I Am Still. Travelling, 2020, HD video, 4:01 min, courtesy the artist. Raven Davis, Mmenwenmad | To Save for Later (detail #3 of 10), 2021-22, photo print on canvas, 54 x 38 inches, courtesy the artist.