Nguyễn Trinh Thi: Letters from Panduranga
Nguyễn Trinh Thi: Letters from Panduranga
June 14 – June 30, 2022
DARC Project Space
This exhibition is presented as part of Tending Land, a program marking the 40th anniversary of the Digital Arts Resource Centre (DARC), and bringing together several artists from around the world whose works relate to narratives about the ways in which land may be perceived, connected with, and cared for. The program honours the fact that questions concerning land and sovereignty are of particular significance in Canada, where traditional territories have been expropriated by the settler-colonial state, and historic treaties around Indigenous Peoples’ land rights were often reneged upon. The exhibition also draws links to the centrality of land in the struggles of many communities around the world, especially the global majority who have experienced colonialism in various guises and who continue to endure its troubling aftermath today.
Letters from Panduranga is a portrait of Ninh Thuan (formerly known as Panduranga), the spiritual centre of the Cham Indigenous people, where the Vietnamese government plans to erect two nuclear power plants. In this work, Nguyễn Trinh Thi raises questions about the right to a land continuously inhabited by a community for hundreds of years, against a backdrop of tight national control, with the state inscribing the terrain through its power, built form, and extractive industries. Taking the guise of an essay film, orchestrated as an exchange of letters between a man and a woman, the work tells a complex story through a chorus of diverse voices, especially those of the inhabitants of this region. It combines ethnography, fieldwork, and archival traces, with intimate images of people and landscape, along with the artist’s own personal reflections, offering a layered depiction of a threatened culture. The melancholic undertones of the work address the reality of a place that has survived multiple forms of colonisation, but which continues to suffer under policies that disregard its wellbeing and future; embedded throughout the work are also a series of ruptures that speak to the challenges of representing an anguished and changing relationship with an ancient landscape.
Tending Land is curated by Amin Alsaden.
Nguyễn Trinh Thi is a Hanoi-based experimental filmmaker and moving image/ media artist whose practice currently explores the power of sound and listening, and the multiple relations between image, sound, and space, with ongoing interests in memory, representation, landscape, indigeneity, and ecology. Her works have been shown at Minneapolis Institute of Art (2019), 9th Asia Pacific Triennial of Contemporary Art, Brisbane (2018); 21st Biennale of Sydney (2018); International Film Festival Rotterdam (2016); Jeu de Paume, Paris (2015); CAPC musée d’art contemporain de Bordeaux (2015); 13th Lyon Contemporary Art Biennale (2015); 5th Fukuoka Asian Art Triennale (2014); and 4th Singapore Biennale (2013). Nguyễn is also founder and director of Hanoi DOCLAB, an independent centre for documentary film and the moving image art in Hanoi since 2009. In 2022, she will participate in Documenta fifteen in Kassel, Germany.
Nguyễn Trinh Thi: Artist Talk
June 24, 2022, 12:00 PM EDT
Please join exhibiting artist Nguyễn Trinh Thi for an online artist talk around the work presented at DARC, and her practice more broadly.
For more information, and to receive the link to the conversation, please register here.
Digital Arts Resource Centre (DARC), formerly SAW Video, is a not-for-profit, artist-run media art centre that supports artists through programming, education, and access to equipment and mentorship. Our mission is to foster the development of a diverse community of media artists, actively promoting equity regardless of race, age, class, gender, sexual orientation, language, or ability. Our core principles are independence of expression, affordable access to all, and paying artists fair compensation for their work. Initially founded in 1981 as a project of the Sussex Annex Works (S.A.W.), SAW Video and SAW Gallery later moved to Arts Court and formed the multidisciplinary centre Galerie-SAW-Video. In 2001, SAW Video became independent from SAW Gallery, forming SAW Video Association. In 2020, the Digital Arts Resource Centre (DARC) became the organization’s new identity, expanding our digital presence online and asserting our role as a point of support for artists.
DARC Project Space is fully accessible. More information on DARC’s access, here.