New virtual exhibition – Leonard Cohen: A Crack in Everything
New virtual exhibition: Leonard Cohen : A Crack in Everything
February 12, 2021 – February 12, 2024
After the monumental success of the exhibition Leonard Cohen: A Crack in Everything, inaugurated at the Musée d’art contemporain de Montréal (MAC) in 2017, the Musée has the great pleasure to launch the virtual exhibition of the same name, inspired by the original.
The virtual exhibition Leonard Cohen : A Crack in Everything is a rich presentation that stands apart from the one shown in the Museum. It includes some fifty works from the MAC collection in addition to bringing together the works and songs from the original exhibition, which the public so enjoyed and loved.
Fully bilingual and accessible, the exhibition will be freely available online for three years (until February 12, 2024). Available in Canada only.
https://expocohen.macm.org/en
With this virtual exhibition, the MAC offers visitors a timeless moment by immersing themselves in the unique universe of the great Leonard Cohen, seen through the lens of contemporary art. A unique opportunity to see again the outstanding pieces of the original exhibition, while further discovering the extent, diversity and relevance of the works in the MAC collection.
Discovering contemporary art while exploring the world of Leonard Cohen
A formidable audiovisual immersion, the virtual exhibition explores the universal aspect of Cohen’s predominant themes that illuminated his poetry and vast musical repertoire, while uncovering the many links that can be drawn with contemporary art.
The exhibition is divided into four main themes omnipresent in Cohen’s body of work: Poetic Thought, Spirituality & Humility, Love and Loss & Longing. Visitors can chart their own online journey, choosing to enjoy the show’s abundant documentary resources either by heading to the Explore section, or by selecting individual works or artists in the Gallery section. Each section offers the viewer an alternative access to the exhibition’s vast content, some of which is unique to this online edition: hundreds of images, audio and video extracts, artists’ quotes and biographies, as well as songs, interviews, poems and self-portraits by Cohen.
Giving the audience a voice
The exhibition underscores the evocative and extensive power of the spoken and written word in Cohen’s work. To this end, the section Echo gathers the personal accounts and firsthand reactions of the audience, collated in audio and written format. Indeed, the MAC invites the public to continue sharing their impressions on social media using the hashtag #cohenetmoi.
Finally, the section Context offers the viewer a presentation of the virtual exhibition itself, an introduction to its main themes and artists, as well as ten pivotal biographical moments in the life of Leonard Cohen.
Organization
The exhibition is co-curated by John Zeppetelli, Director General and Chief Curator of the MAC, and Victor Shiffman, guest curator.
Management and development, MAC
Anne-Marie Zeppetelli, Project Manager, Cindy Veilleux, Coordination and Data Management, Etienne Desautels, Programmer Analyst
Creative direction for website design and programming
Akufen
Photo
Excerpt of the virtual exhibition. Detail of the work The Offerings, 2017, by Kara Blake.
Acknowledgments
The MAC wishes to thank the late Leonard Cohen, who in 2015 generously consented to the production of the exhibition Leonard Cohen: A Crack in Everything. The MAC also wishes to thank the family, friends and associates of Leonard Cohen, in particular Robert Kory, Adam Cohen and Lorca Cohen, who provided invaluable access to the Cohen archives, writings, recordings, films, videos, photographs and other works.
The MAC also thanks CBC/Radio-Canada, the National Film Board of Canada, Sony Music and Sony ATV, McClelland & Stewart and The Wylie Agency, and the Thomas Fisher Rare Book Library, University of Toronto. The MAC also expresses its deep gratitude to the artists and musicians who participated in the virtual exhibition.
Special thanks go to Carrie Haber, Chantal Ringuet, Sylvie Simmons, Ira Nadel, Alexandra Pleshoyano, Kaveh Nabatian, Michael Putland, Claude Gassian, Jared Bland, André Picard, Hugues Sweeney, Daniel Seligman, Allan Showalter and Michael Petit.
This online project was developed with the support of the Digital Museums Canada investment program. Digital Museums Canada is managed by the Canadian Museum of History, with the financial support of the Government of Canada.
This project is also supported by the implementation of Québec’s digital cultural plan.
Musée d’art contemporain de Montréal (MAC)
185, Sainte-Catherine West
Montréal QC H2X 3X5
This venue is accessible.
T. +1 514 847-6226
www.macm.org
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Information
Roxane Dumas-Noël
Head of Public Relations
T. +1 514 847-6232 / roxane.dumas-noel@macm.org