Exiled at Home
Vtape and Images Festival co-present:
EXILED AT HOME
Group exhibition guest-curated by Amin Alsaden
Featuring artists: Mona Hatoum, Akram Zaatari, Nahed Mansour, Atefeh Khademolreza, Parastoo Anoushahpour and Faraz Anoushahpour, Rehab Nazzal, and Walid Ra’ad
June 2-30, 2022, Tuesdays–Saturdays 12-5pm EDT
Bachir/Yerex Presentation Space
4th floor, 401 Richmond Street West, Toronto
Opening: Thursday June 2, 2022
Reception 6-9 PM EDT
Panel Discussion 7PM EDT
Vtape and Images Festival are honoured to co-present Exiled at Home, a group exhibition, by curator and scholar Amin Alsaden. Images is also the sponsor of the opening evening panel discussion featuring the curator and two of the participating artists, Nahed Mansour and Atefeh Khademolreza. Alsaden’s curatorial process involved scouring the Vtape holdings, looking for works that spoke to his notion and experience of displacement, or exile, while reflecting on its relevance for many communities in Canada. The works he has selected span almost four decades, from 1983 to 2018, and are all by artists whose practices have been largely informed by their origins in the “Middle East,” which is a misnomer. Amin instead refers to the region with geographic specificity: South West Asia.
Alsaden has written of his intentions: “This exhibition brings together artists whose works navigate the purgatory of exile. They explore the complexities and contradictions inherent in the experience of displaced communities, caught in between an incessant longing for homes left behind, and an inability to belong to new, presumably safer, environments. Mona Hatoum, Akram Zaatari, Nahed Mansour, Atefeh Khademolreza, Parastoo Anoushahpour and Faraz Anoushahpour, Rehab Nazzal, and Walid Ra’ad capture the disturbing sense of alienation, and the deep melancholia that emerges in the wake of losing one’s home, along with the certainty, familiarity, stability, security, and warmth that home represents.
“The exhibition borrows works from the Vtape catalogue that reveal what might have withdrawn from collective consciousness, especially the compounded sorrows endured by members of diasporic communities. Most people struggled with being trapped at home during the pandemic, yearning to head back into public space, to return to some sense of normalcy. Others were also trapped, but for them, home was not home. For the displaced, the pandemic only exacerbated an existing situation, which will likely last well into the future. For the displaced—especially immigrants, refugees, and asylum seekers—home is exile.
“The selected works raise a number of questions: Can the experiences of these communities, for whom the pandemic is yet another tragedy, be accounted for, and perhaps centred? Can the eagerly anticipated post-pandemic moment be taken as an opportunity to ponder how loneliness is itself an epidemic that has taken over the world, and to remember those who were already isolated, and who continue to silently bear the agonies of displacement, privately grappling with feelings of not belonging? How is the construct of ‘home’ imagined, especially by those whose relationship to ancestral homelands has been violently severed? Why does ‘home’ remain such an elusive place for the exiled?
“Exploring how artists employ video, a time-based medium, to convey the durational longing to belong, the exhibition contemplates the very basic notion of home, or of being home—taken for granted by some, desired by most, yet unattainable by many. It tells an incomplete and ever evolving story about the woes of displacement, from isolation to disillusionment, from outrage to helplessness, and from recollections to imagination. It equally underlines the agency of those who go through the experience of losing a home, and the vital role that artists play in shedding light on the paradoxical logics of statehood, borders, and militarization, which often produce the conditions of displacement and exile in the first place.
“These artists’ powerful works counter the marginalization of displaced communities, while unveiling the perils of alienation, of never belonging. Their works suggest that a disaster might not only be a major catastrophic event like a pandemic—but it might manifest itself in our collective apathy and oblivion to the suffering of those who live in our midst.”
Amin Alsaden is a curator, educator, and scholar of modern and contemporary art and architecture, whose work focuses on transnational solidarities and exchanges across cultural boundaries.
Please note that for now we are still only allowing 6 visitors to enter the gallery at a time. No pre-bookings required.
While masks are no longer required, we do kindly request that visitors wear masks for our collective safety and wellbeing.
We also ask that all visitors:
- Self-assess before coming to the gallery
- Postpone your visit if you are not feeling well
- Use hand sanitizer upon entering the gallery
- Maintain physical distancing within the gallery
- Sign in at the desk before entering the gallery
- Follow staff recommendations
Vtape acknowledges the generous support of all of our funders including The Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council.
Vtape is an Accessible Venue with level entrance at the EAST end of the building on Richmond St. West