Call for Papers: UAAC 2019 Conference

CONFERENCE | 2019 | CONGRÈS

CALL FOR PAPERS / APPEL À COMMUNICATIONS

OCTOBER 24-27 OCTOBRE 2019
Hilton Hotel, Québec, QC

Submission deadline / Date limite de soumission: May 31, 2019 / 31 mai 2019

Following is the title of each session from our Call for Papers. For the complete listing, complete rules and contact information please go to http://www.uaac-aauc.com/en/conference

Voici le titre de chaque session de notre appel à communications. Pour la liste complète, reglements completes et les coordonnées, veuillez consulter le https://uaac-aauc.com/fr/congres/

SESSIONS, ROUND TABLES, PANELS | SÉANCES, TABLES RONDES ET ATELIERS

1. Au préalable : œuvre(s) préparatoire(s) et processus créatif aux temps médiévaux et modernes
2. Design Shifts: Efforts and Approaches to Re-Orient Design Pedagogies and Praxes
3. The Role of Commercial Photography Practices/Institutions in Making Knowledge
4. What Was History Painting and What Is It Now?
5. Exhibiting Animals in the Long Nineteenth Century
6. Canadian Design Studies Network – Open Session
7. Interrogating Socially Engaged Art and Experimental Pedagogy
8. Art History Pedagogy Caucus: Beyond the Slide Test – (Re)Assessment and Evaluation
9. Towards an Ontology of Engaged Art History: Art History and Engagement Studies
10. Humour as Feminist Strategy in Contemporary Art
11. Domestic Encodings through Craft Objects
12. Making Sense of the Senses: Evaluating the Sensorium in Visual Culture
13. On Performance, Exhibitions, and Archives
14. HECAA Open Session (Historians of Eighteenth-Century Art and Architecture)
15. Séance Ouverte (Réseau Art et Architecture du 19e siècle) / Open Session (Research on Art and Architecture of the 19th century)
16. The Role of “The Artist Interview” in Questions of Preservation
17. Perspectives on the Dutch Golden Age
18. Resources for Design Studies in Canada
19. I Am What You Are Not: Images of “Otherness” in the Middle Ages
20. Black Feminism in North and Latin American Art
21. Queering (Post)Apartheid: Visual Culture in Post-Apartheid South Africa
22. Interconnections in the Long Nineteenth Century
23. The Accumulation and Metamorphosis of Informal Archives in Creative Practice and Research
24. Envisioning the Land in Catastrophic Times: Landscape and Global Climate Change
25. Accelerating Art, Accelerating Culture
26. Représenter le Canada à la veille et au lendemain de la Confédération: une pluralité de milieux face à la symbolique impériale britannique
27. Performing Impasse
28. “450,000 km² of memories”: Remembering and Forgetting in Canada’s National Parks
29. Art North
30. “Fictioning” as Frictioning in Creative Practice
31. Art contemporain et lutte de classes : nouvelles perspectives
32. The Art of Interest Convergence: Between Hyper-visible Blackness and Absence in Canadian and African Diasporic Arts and Histories
33. The Missed Encounter: Psychoanalysis and Art History
34. Affective Framing: Curatorial Experiments and Reception Aesthetics
35. Sites of Photographic Knowledge: Archives and Narratives
36. The Art of Camouflage
37. Little Gestures for the Epoch: Public Art in the Age of the Anthropocene
38. Curating Inside & Out
39. Still Surveying the Survey: Pedagogical Tactics
40. Research-Creation Caucus Round Table
41. Interdisciplinarity as Intervention
42. À la croisée des chemins : réflexions sur les relations interespèces en art
43. Environnements artificiels au 19e siècle (Séance du Réseau Art et Architecture du 19e siècle : RAA19)
44. The Art of Visualizing Others: A Panel on Early Modern Cultural Encounters
45. Beyond City Walls: Art, Architecture, and the Rural in Renaissance/Early Modern Europe
46. Not in Canvas, Anymore: Art Carried Across Disciplinary Fields
47. Undervalued and Underpaid/Disposable and Dispossessed; Perspectives on Care, Labour, and Precarity
48. Photography and Empathy Revisited
49. The Art of Smart: The Role of Canadian Art Institutions in Shaping Smart Infrastructure
50. Asymmetries: Contemporary Art, Activism, and Protest
51. Artifacts and the Digital Archive
52. An Instructor’s Conundrum: Supporting Student Engagement
53. Women & Abstraction: The Politics of Visual Aesthetics in Feminist Art
54. Beading Back and Forth
55. Open Session: National Network for the Study and Promotion of Latino Canadian Art and Latin American Art in Canada
56. A Big, Beautiful Wall: The Materiality of Borders in Contemporary Art
57. Museums and Celebrity Culture: Historical and Critical Perspectives
58. Locating Textiles in Global Art Histories
59. Curatorial Activism
60. Photographic Communities
61. After the commemorative dust has settled: the fall-out from Canada 150
62. The Past, Present, and Future of Artist-Run Culture in Canada
63. Urban Art Hotels: Sites of Cultural Production, Performance and Installation
64. Art et transports publics : historiques et nouveaux défis / Art and Public Transit: Historical and Contemporary Challenges
65. Rubberband Girls: Flexibility & Fluctuations – Performing Feminisms in the Era of #MeToo
66. “The Textility of Making’”: Textiles as Material and Models of Thought
67. Art as Information: Diagrams, Maps, and Charts

Excerpt from Conference regulations / Un extrait des règlements:

Proposals are invited from permanent and contractual faculty, independent scholars and artists, and graduate students in terminal degree programs (examples: PhD, MFA, MDes, etc.) who are engaged in the visual arts (studio practice, art history, visual culture, material culture, museum studies, art conservation, etc.). MA students are not permitted to give papers at the conference. / Les enseignant·e·s universitaires, les chercheur·e·s indépendant·e·s, et les étudiant·e·s qui poursuivent un diplôme professionnel/terminal (exemples : doctorat en histoire de l’art, maîtrise en beaux-arts ou en design) sont invité·e·s à proposer des communications. Les propositions d’étudiant·e·s à la maîtrise en histoire de l’art ne sont pas admissibles.

Proposals may be submitted by current members or non-members of UAAC. Non-members MUST become members of UAAC and pay registration fees in order to present a paper at the conference. Membership dues and registration fees must be received by September 15, 2019. / Les personnes membres et non-membres de l’AAUC peuvent soumettre une proposition. Celles qui ne sont pas membres DEVRONT néanmoins le devenir et payer les frais d’inscription afin de participer au congrès. Tous les membres doivent renouveler leur adhésion et s’inscrire au congrès avant le 15 septembre 2019.

Applicants may present in only one session, round table, or panel. / Il n’est possible de présenter que dans une séance, table ronde ou atelier.

Presentations via Skype, Google hangout, or other digital platforms are not permitted. / Les présentations par Skype, Google Hangouts ou autres plateformes ne sont pas autorisées.

Contact: uaac@gozoom.ca