Young Joon Kwak at Walter Phillips Gallery, Calgary
Young Joon Kwak, Trans-Creation Relic, 2017, cold-cast aluminum, resin, soil, rocks
Orifices in walls reveal tiny snails. Orange vagina-shaped lamps glimmer and silver shapes emerge from the ceiling and plinths cast from within a sex toy. One of the central metaphors of the exhibition is the snail, featured in works titled Snail Leg, Aggregate Snail Hangers, Aggregate Snail Vaginis, and VIEW “INNER”. Placing this seemingly insignificant creature at the forefront of this hot and messy exhibition is subversive in its inflections and meanings. The snail is a protected species in the cave and basin area of Banff National Park (the gallery is part of the Banff Centre for Arts and Creativity) but is also a symbol of balanced androgyny. The snail holds both sexual organs and thus is able to reproduce singularly. It unambiguously represents the masculine and feminine, slipping along surfaces and into tiny beautiful crevices across the exhibition space. Like the snail, THE CAVEslides through the viewer’s imagination, instilling a stance of perfect harmony for a non-patriarchal position within the gallery space.
Tourist culture is another central motif and the exhibition explores this phenomenon while poking fun at it. In Maternal River of No Return Kwak and collaborator Kim Ye perform a medley of activities in character as a mommy and baby girl visiting Banff for a family vacation. There is a sado-masochistic element to the three-channel video that features the two exploring the site in what could be seen as both a dreamy performance and an uncomfortable and even disturbing narrative of a family vacation gone wrong. As a whole, the exhibition unwraps stereotypes surrounding queer identity and explores the tourist mystique through a playful and slightly weird lens.
Young Joon Kwak: THE CAVE continues until December 14.
Walter Phillips Gallery: https://www.banffcentre.ca/walter-phillips-gallery
The gallery is accessible.
Maeve Hanna is a writer and curator who holds a Bachelor of Fine Arts Honours in Visual Art and Literature from York University and the University of Leeds and a Master of Arts in Art History and Icelandic Studies from Université du Québec à Montréal and the University of Manitoba on location in Iceland. She has previously written for Black Flash, C Magazine, Canadian Art, esse arts + opinions, Frieze, Sculpture Magazine and the Senses and Society. She is Akimblog’s Calgary correspondent and can be followed on Instagram @mcbchanna.