CANADA'S ONLINE SOURCE FOR VISUAL ART INFORMATION
SUBSCRIBE TO AKIMBO     //     LOGIN
akimbo
app
 
ABOUT AKIMBO     //     CONTACT US
  • 02
  • 3
  • 4
THE NEXT 7 DAYS:     EVENTS (14)     +     OPENINGS (9)     +     DEADLINES (7)     +     CLOSINGS (10)
//////////////////////////////////////////////////////////////
copyright ©2019
Exhibitions
VENUE :
CITY :
TYPE :
DAYS :

back [+]

image


Opening May 24, 2018: Rafael Lozano-Hemmer: Unstable Presence

May 24 – September 9, 2018

Musée d’art contemporain de Montréal (MAC)
185, Sainte-Catherine West
Montréal Qc H2X 3X5

Hours: Tuesday 11am–6pm
Wednesday–Friday 11am–9pm
Saturday–Sunday 10am–6pm

T. +1 514 847-6226
www.macm.org

The Musée d’art contemporain de Montréal has the great privilege of hosting the first major museum survey of the Rafael Lozano-Hemmer’s work to be presented in Canada or the United States.

Limitless talent, ambition and intellectual curiosity animate Rafael Lozano-Hemmer’s enormous and wide-ranging output, spanning theatrical interactive installations in public space to small intimate experiences in galleries. Robotics, surveillance and sound experimentation undergird Lozano-Hemmer’s elegant and exciting cross-disciplinary artistic achievement.
– John Zeppetelli, Director and Chief Curator at the MAC

Montreal-based artist Rafael Lozano-Hemmer (born in Mexico City in 1967) is one of the leading figures on the international scene of digital-media practices today. After co-producing satirical “technological theatres” in the late 1980s, in the following decades he went on to explore the performative potential of interaction, focusing on the integration of artistic disciplines, and becoming increasingly known for large-scale “anti-monuments” that transformed public spaces with ephemeral interventions that were “critical platforms for participation”.

Rafael Lozano-Hemmer: Unstable Presence highlights the material and sculptural dimension of the artist’s production of the last eighteen years, offering a new perspective on its poetic and political enactments of co-presence. Referring primarily to the inevitable coexistence of viewpoints, active voices and singular experiences elicited by the artwork’s dialogic devices, the notion of co-presence also alludes to more turbulent and asymmetrical types of relationships: forced cohabitations and power dynamics in private and geopolitical spaces, as well as the interplay of gazes and bodies under contemporary techniques of surveillance and control. Indeed, Lozano-Hemmer’s works offer a nuanced view of the emancipatory rhetoric of participation and of digital media aesthetics, reminding us of technology’s complex and often problematic involvement in broader social, economic and political contexts.

Showing how we interact with technology and making the internal mechanisms of devices visible is one of the strategies deployed in Lozano-Hemmer’s works. As you walk through the exhibition, the physical presence of the works, their sculptural occupation of space, provides an important counterweight to the argument of digital “dematerialization.”

The exhibition will present the world premiere of Sphere Packing: Bach—a spherical room with 1,128 speakers each of which plays a different composition of JS Bach—and other major works such as Vicious Circular Breathing (2013), Zoom Pavilion (a collaboration with Krzysztof Wodiczko, 2015), Pan-Anthem (2014), Call on Water (2016) and Pulse Spiral (2008).

Rafael Lozano-Hemmer: Unstable Presence is co-organized by the Musée d’art contemporain de Montréal and the San Francisco Museum of Modern Art. It is co-curated by Lesley Johnstone, curator and head of exhibitions and education at the MAC, with François LeTourneux, associate curator, MAC and Rudolf Frieling, curator of media arts at the San Francisco Museum of Modern Art (SFMOMA). The exhibition will also be presented at the Museo de arte contemporáneo de Monterrey (MARCO), Mexico, in 2019 and at the SFMOMA, in 2020.

Lozano-Hemmer was the first artist to represent Mexico at the Venice Biennale, with an exhibition at the Palazzo Van Axel in 2007. He has also shown at multiple other biennials and triennials. Lozano-Hemmer’s artistic production has been featured in solo exhibitions and performances in numerous institutions, including the Museo Universitario Arte Contemporáneo (MUAC) in Mexico City (2015), San Francisco Museum of Modern Art (SFMOMA) (2012), the Museum of Contemporary Art, Sydney (2011) and the Guggenheim Museum, New York (2009). His work may be found in the collections of such museums as the Museum of Modern Art (New York), Tate Modern (London), Musée d'art contemporain de Montréal, SFMOMA, Hirshhorn Museum and Sculpture Garden (Washington), Borusan Contemporary (Istanbul), MUAC (Mexico) and others. He is represented by bitforms gallery (New York), Art Bärtschi & Cie (Geneva) and Max Estrella (Madrid).

Information:
Roxane Dumas-Noël
Head of Public Relations
T. +1 514 847-6232 / roxane.dumas-noel@macm.org

Image credits:
Rafael Lozano-Hemmer, Vicious Circular Breathing, 2018
Glass room, bellows, tubes, brown paper bags, manifold valve system
Courtesy Borusan Contemporary, Istanbul
© Rafael Lozano-Hemmer / SODRAC, Montréal / VEGAP, Madrid (2018)
Photo: Mariana Yañez

1780

 

 

X

AVA Logo An Art Venue Assessibilty Information Project AccessTO Logo akimbo Logo

 

Error: Embedded data could not be displayed.