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Derek Sullivan, Several Things Happening at the Same Time, exhibition view at Galerie Antoine Ertaskiran, © Paul Litherland

Derek Sullivan
Several Things Happening at the Same Time

until May 6, 2017

Galerie Antoine Ertaskiran is pleased to present Several Things Happening at the Same Time, Derek Sullivan’s first solo exhibition at the gallery. The exhibition brings together three bodies of work, the Poster Drawing series, the National Gallery Catalogues series and the Mirrors series, exploring the place of drawing within Sullivan’s practice.

Central to the show is Sullivan’s Poster Drawing series. Ongoing since 2005, the Poster Drawings are uniformly formatted works on paper. Akin to promotional posters found in public transport or on bedroom walls, the works use the changing rhythm of advertising as a structure for an exploration of high and low cultural vernaculars. The works vary between monochromatic geometric abstractions, repeating patterning that recalls late modernist art and graphic design, figurative allusions, and drawn and folded book signatures. Conflating an eclectic and highly personal range of references, each drawing is executed with the same idiosyncratic gestural mark making that imbues these works with a naïve, yet meticulous aesthetic. Including new work alongside drawings from the past 6 years, this will be the largest presentation to date of this series.


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Derek Sullivan, Several Things Happening at the Same Time, exhibition view at Galerie Antoine Ertaskiran, © Paul Litherland

Sullivan repeatedly turns to the book as a site of reference, image, and production in his work. This interest is continued here with a series of drawings that use as their starting point the cover of artist Donald Judd's well-known 1975 National Gallery of Canada catalogue. The project began in 2002, where the artist started to make "decoy" copies of the original book that he would than sell in bookstores. These drawings, an extend to this project, proposes hypothetical book covers with slight changes in the title. Also included in the exhibition will be a parallel series of drawings on gessoed board of mirror-like patterned surfaces. The Mirrors are drawings that attempt to represent standard everyday 18 x 24" bathroom mirrors, the type found in institutional toilets or that landlords install in rental apartments. The drawings are attempts to capture the reflective surface in these everyday objects, however they inevitably become more about pattern and surface.

Derek Sullivan (b. 1976, Richmond Hill, Ontario) received his BFA from York University in Toronto and his MFA from the University of Guelph. Solo exhibitions include The Booklover at the Dunlop Art Gallery (Regina), Albatross Omnibus at The Power Plant (Toronto), The Missing Novella at the Oakville Galleries (Oakville), Bulletin Board at Whitecolumns (New York) and More Young Americans at Kiosk (Ghent, Belgium). Sullivan has been featured in numerous group exhibitions, including BNL MTL 2012 (Montreal), Where do I end and you begin at City Art Centre (Edinburgh) and Blue times at Kunsthalle Wien (Vienna). His books and editions have been published by Paul & Wendy Projects (Toronto), Art Metropole (Toronto), Boabooks (Geneva), Printed Matter Inc. (New York). Sullivan has been nominated five times for the prestigious Sobey Art Award, being shortlisted in 2012. His works in the collection of the National Gallery of Canada are currently on view in their upcoming survey exhibition Our Masterpieces, Our Stories. Derek Sullivan lives and works in Toronto.


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Dominique Pétrin, I just wished Martha Stewart was here to tell me to chill down, like real down, exhibition view at Galerie Antoine Ertaskiran, © Paul Litherland

Dominique Pétrin
I just wished Martha Stewart was here to tell me to chill down, like real down

until May 6, 2017

Galerie Antoine Ertaskiran is proud to present I just wished Martha Stewart was here to tell me to chill down, like real down, a special project by Dominique Pétrin in the second room of the gallery. Inspired by the concept of the living room and generated through an algorithm drawn from social media, this immersive installation is composed of ornamental collages and saturated patterns which address universal anguishes while remaining anonymous and generic. This installation will lead up to her upcoming solo exhibition at the gallery in September 2017.

Dominique Pétrin's practice incorporates silkscreen on paper that have been cut and glued to the wall and floor, underlining the physical labour involved in creating an immersive environment. Most of her work is ephemeral and specifically conceived for its environment, enhancing the visual impact of the screen printed colours. These large-scale installations are freely inspired by Pompeii’s frescos, the history of ornamentation and cyberculture.

Dominique Pétrin was a member of a petrochemical rock band named Les Georges Leningrad from 2000 to 2007. She has collaborated with Sophie Calle, Pil and Galia Kollectiv, Banksy and with choreographers Antonjia Livingstone (Berlin) and Jennifer Lacey (Paris) on a performance called Culture & Administration & Trembling. This last collaboration was presented at many festivals such as Impulsanz (Vienna), American Realness (New York) and Fierce (Birmingham). She obtained numerous grants from the Conseil des Arts et des Lettres du Québec, leading her to residencies at the Banff Centre (Canada), in Nunavik (Canada) and at the OMI International Artist in residency Program (USA). Her work has been exhibited at the Musée d’art contemporain de Montréal as part of the Quebec Triennial of 2012 and has been presented throughout Canada, England, France, Belgium and the United States. She was longlisted in 2014 for the Sobey Art Award. She has recently drawn international recognition through her collaboration with Banksy on the Walled Off Hotel project in Bethlehem Palestine (2017).


Galerie Antoine Ertaskiran
1892 rue Payette
Montreal, QC H3J 1P3 Canada
tel : +1 514.989.7886

www.antoineertaskiran.com

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