Vancouver Special: Ambivalent Pleasures
Vancouver Art Gallery debuts inaugural triennial exhibition
putting the focus on the city’s contemporary art scene
The Vancouver Art Gallery presents Vancouver Special: Ambivalent Pleasures, the inaugural edition of its new triennial. On view at the Gallery from December 3, 2016 to April 17, 2017, this exhibition offers a comprehensive survey of the city’s contemporary art scene and its shifts since the 2010 Winter Olympics, featuring artworks ranging from painting, drawing, animation, ceramics, textiles, audio and installation. Ambivalent Pleasures is co-curated by Daina Augaitis, Vancouver Art Gallery’s Chief Curator/Associate Director, and guest curator Jesse McKee, Head of Strategy at 221A, Vancouver.
Over a four-month period in the spring of 2016, the curators conducted over 90 studio visits, mostly with emerging artists, but also with a few established artists whose ideas have been prescient. The range of participants echoes the breadth of Vancouver’s vibrant art community. The result is a multigenerational exhibition that will engage its visitors through a myriad of styles, approaches and practices.
“Since its inception in 1931, the Vancouver Art Gallery has organized many timely survey exhibitions that show us the contemporary art of this region. Building on this robust history, which began with the BC Annuals (1932–68) and continued with significant projects of recent decades, we are now excited to present Vancouver Special, a new triennial exhibition of contemporary art from the city. The triennial model reinforces a more renewable and sustained engagement for the Gallery to connect with contemporary artists who live and relate to Vancouver,” said Kathleen S. Bartels, Director, Vancouver Art Gallery.
“Vancouver Special is drawn from the low-cost housing style that was popular in Vancouver between the 1960s and 80s. This archetype has been embraced again as an iconic symbol of the city. The title of the inaugural exhibition within this new triennial format, Ambivalent Pleasures, points to the ever-present gap between where we are and where we’d like to be. The artworks in the exhibition offer many possibilities for visitors to locate the pleasures in their own experiences of encountering, considering and navigating the complex conditions of today’s city,” said co-curators Daina Augaitis and Jesse McKee.
Works included in Ambivalent Pleasures offer a number of overlapping conversations. Central to these dialogues are three ideas:
Derya Akay, Maya Beaudry, Raymond Boisjoly, Eli Bornowsky, Rebecca Brewer, Colleen Brown, Matt Browning, Mark Delong, Kim Dorland, Barry Doupé, Michael Drebert, Julia Feyrer, Jeneen Frei Njootli, Tamara Henderson, Colleen Heslin, Julian Hou, Allison Hrabluik, Gareth James, Garry Neill Kennedy, Tiziana La Melia, Khan Lee, Arvo Leo, Lyse Lemieux, Glenn Lewis, Anne Low, Elizabeth McIntosh, Jordan Milner, Antoni Oko, Ryan Peter, Sylvain Sailly, Rachelle Sawatsky, Walter Scott, Krista Belle Stewart, Angela Teng, Mina Totino, Ron Tran, Tristan Unrau, Charlene Vickers, Brent Wadden and Alison Yip.
Click here for artists biographies.
Daina Augaitis has been Chief Curator/Associate Director at the Vancouver Art Gallery since 1996, where she works with a team of curators to conceive and develop the Gallery’s exhibitions, publications, collections and public programs. Among the solo exhibitions she has curated or co-curated are those by Rebecca Belmore, Douglas Coupland, Stan Douglas, Charles Edenshaw, Geoffrey Farmer, Bharti Kher, Kimsooja, Muntadas, Brian Jungen, Ian Wallace and Zhu Jinshi. She was formerly Director of the Visual Arts Program at the Banff Centre for the Arts, where she organized thematic residencies for artists and curators, as well as spoken word, pirate radio and performance art projects, and has held curatorial positions at the Walter Phillips Gallery, Banff; the Western Front, Vancouver; Convertible Showroom, Vancouver; and Franklin Furnace, New York.
Jesse McKee is the Head of Strategy at 221A, Vancouver. He is responsible for the organization’s research-based programming model and for aligning all aspects of 221A’s work with a strategic plan that develops self-organized cultural infrastructures. Previously, McKee was Curator at the Walter Phillips Gallery, Banff, and Exhibitions Curator at the Western Front, Vancouver. He has developed new commissions with artists such as Lee Kit, Tamara Henderson and Julia Feyrer, Andrea Büttner and Neïl Beloufa. He recently was a curatorial resident with tranzit.org, Romania, and curated Stopping the Sun in its Course, a group exhibition on contemporary depictions of the grotesque at Ghebaly Gallery, Los Angeles (2015).
This exhibition is accompanied by a 144-page book, co-published by the Vancouver Art Gallery and Black Dog Publishing. It features the artworks included in the exhibition, as well as texts by the curators and contributions from Andrew Berardini, Steffanie Ling and Kim Nguyen, as well as interviews with scholar Richard William Hill and writer William Gibson who addresses the historic echoes and future-making perceptions inherent in these types of exhibitions.
Alison Yip, Gazebo, 2016, site-specific mural at the Vancouver Art Gallery, produced for Vancouver Special: Ambivalent Pleasures, Courtesy of the Artist and Monte Clark Gallery, Photo: Rachel Topham, Vancouver Art Gallery
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