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Atom Egoyan, Steenbeckett, 2002. Installation at Whitworth Art Gallery, Manchester, UK, 2011. Photo: © Ego Film Arts.

November 5, 2016 to January 1, 2017

Atom Egoyan: Steenbeckett
November 5, 2016 – January 2, 2017

MacKenzie Art Gallery
3475 Albert St.
Regina, SK
S4S 6X6
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The MacKenzie Art Gallery, in collaboration with Strandline Curatorial Collective and University of Regina, brings to North America, for the first time, Atom Egoyan’s most important lens-based installation work to date. The extraordinary result of an Artangel commission installed at the former Museum of Mankind (London, 2002), Steenbeckett immerses the viewer in a continuously moving web of 35mm film strung floor to ceiling and wall to wall. Driven by a Steenbeck editing table, the 2,000-foot film loop features the last reel of Egoyan’s brilliant film adaptation of the Samuel Beckett play Krapp’s Last Tape. With the wear and tear produced by each rotation of celluloid through the system, the whole work edges, like Krapp himself, inexorably toward extinction. For the MacKenzie installation, Egoyan takes advantage of noise cancelling headphones, to project a digitally remastered version of the film within the same space as the meandering and chattering film loop. Steenbeckett masterfully contemplates the nature of memory and its recording while foregrounding Egoyan’s fascination with new and obsolescent technologies and the analogue/digital divide.

Atom Egoyan in Conversation | 7:00 PM Friday, November 4, 2016
A screening of the world premiere of the digital remaster of Krapp’s Last Tape will be followed by a conversation between Atom Egoyan and writer and critic Noah Richler at 7:00 PM on Friday, November 4, at the MacKenzie Art Gallery. Reception to follow.

Tickets available here.

Master Class with Atom Egoyan | 11:30 AM – 1:00 PM Friday, November 4, 2016
Atom Egoyan will deliver a Master Class for film practitioners and students. Participants will include fourth year Film and Creative Technologies students at the University of Regina; graduate students from Film, Creative Technologies, Interdisciplinary Studies, Music, Theatre, Visual Arts; local arts organizations; and interested public.

To register, please visit:

International Symposium
Meet in the Middle | Stations of Migration and Memory Between Art and Film
Events: November 2 — 3 | Symposium: November 4 — 5

Revolving around the transnational issues of the migration of people and ideas, Meet in the Middle | Stations of Migration and Memory Between Art and Film international symposium gathers artists, filmmakers, curators, and academics in Regina, Saskatchewan, Canada for a four-day program of film screenings, panel discussions, performances, and a master class with Atom Egoyan. A special focus of this project is to create a dialogue between Saskatchewan and Armenia—two relatively isolated geographical areas with common histories of genocidal trauma—while profiling the work of renowned Canadian-Armenian filmmaker Atom Egoyan as it articulates the theme of memorializing trauma, at both the political and personal levels. The symposium is part of a larger durational series of Meet in the Middle exhibitions, screenings and events taking place from spring 2014 to spring 2017. See:

For more information, including a schedule of events and symposium registration, please visit:

Atom Egoyan: Steenbeckett will be the first major publication to focus on Steenbeckett. Published by Black Dog Publishing, in partnership with the MacKenzie Art Gallery and Strandline Curatorial Collective, the catalogue will include an introduction by Egoyan, with contributions by a selection of international scholars (available in 2017).

About Atom Egoyan
Atom Egoyan is one of the most celebrated contemporary filmmakers on the international scene. His body of work—which includes independent features, television, theatre, music, opera, and art installations—delves into issues of memory, displacement, and the impact of technology and media on modern life. As a lens-based installation artist, Egoyan has contributed to the development of expanded cinema through his work on trauma, memory, and witnessing as they relate to historical events, such as the Armenian Genocide and diaspora, and more personal histories involving desire, lost love, and family relations.

About the MacKenzie Art Gallery
The MacKenzie Art Gallery is Saskatchewan’s oldest and largest public art gallery: an immersive centre for engaging with the world through art, with an ongoing focus on Indigenous culture and diversity. Located in Regina’s Wascana Park, the MacKenzie’s permanent collection contains over 4,500 works of art by such internationally renowned artists as Mary Kelly, Agnes Martin, Anthony McCall, Pablo Picasso, Auguste Rodin, and Frank Stella, as well as an impressive Canadian collection with pieces by Shuvinai Ashoona, Bob Boyer, Victor Cicansky, Greg Curnoe, Joe Fafard, the Group of Seven, Dorothy Knowles, William Perehudoff, Edward Poitras, the Regina Five, David Thauberger, Jeff Wall, Joyce Wieland, and many others.

For more information, please visit